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影片名称：《镜子的另一面：纽波特民歌艺术节1963~1965》
影片别名：jingzidelingyimianniubotemingeyishujie19631965
上映时间：2007年
国家/地区：美国
影片语言：英语
IMDB链接：1678245116
豆瓣评分：5.0
影片类型：剧情
影片导演：Murray,Lerner,
影片主演：Bob,Dylan,Joan,Baez,Judy,Collins,
资源类别：正片全集未删减
资源更新：已完结
总播放次数：607次
Murray,Lerner,导演执导的，2007年上映至今获得了不错的口碑，由Bob,Dylan,Joan,Baez,Judy,Collins,等主演的一部不错的英语剧情片。
该片在美国发行，飘花电影网收集了《镜子的另一面：纽波特民歌艺术节1963~1965》pc网页端在线观看、手机mp4免费观看、高清云播放等资源，如果你有更好更快的资源请联系飘花电影网。
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剧情简介
& quot;Bob Dylan going electric " at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know fr om word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for severa l years running, and The Ot her Side of the Mirror collects footage from the three years Dylan appeared at the celebr ated folk gathering, allowing us to see Dylan's rise t hrough the folk scene for ourselves. Watching Lerner's documentar y, what' ;s most remarkable is how much Dylan changed over the course of 36 months; the youn g folkie performing at the afternoon "worksho p" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while choppi ng away at his acoustic guitar and energizing the crowd wi thout seeming to know just what he's doing. In 1964, Dylan all but owns Newport, a nd he clearly knows it; he' s the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan bea ms at the crowd's adulation, like the rock star he was quickly being . By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and th e hardcore folk audience was clearly of two minds about his popula r (and p opulist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mi xture of enthusiastic cheering and equally emphatic booing, and while legend has it t hat the version of "Like a Rolling Stone" that followed was a shambles, the son g cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two n umbers, Dylan and his band leave the s tage, with Yarrow (onc e again serving as MC) citin g technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there&# 39;s no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before v anishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful per formances even on the acoustic stuff makes it obvious that the scr appy semi-amateur we saw at the beginni ng of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we al ready knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-ou t of 1965, seeing it is a revelatory experie nce, and Lerner has assembled this archiv al material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '6 0s.
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